This post is participating in Day Nine of the Ten Day Writing Blogging Challenge. Today I share some character profiles.
Two infographics shared with you today. The first from my criminology interests, shared with me by Mike Joba. The second from Visually. Note that this infographic, on Top Read Books of the World, is quite controversial – noticeably it is slanted to the Western world, with no mention of the Holy Qur’an, read by millions everyday, and a book like The Hobbit sold many more copies than say, Dan Brown.
Jodie Renner guest post at The Writer’s Forensics, perfect for my thriller series here.
ESSENTIAL CHARACTERISTICS OF A THRILLER HERO
The hero or heroine of a suspense-thriller, like the protagonist of any popular bestseller, has to be impassioned, unique, and likeable enough for the reader to want to jump in and follow them through their journey, worrying about them and cheering them on through their challenges. So it’s important to take the time to create a charismatic, passionate, complex, sympathetic main character, one that readers can connect with immediately.
Heroes in novels and movies haven’t really changed a lot over the centuries since the days of Robin Hood and Maid Marion, but they continue to have universal appeal because through them, readers can vicariously participate in exciting adventures and confront and defeat evil to win the day and restore justice. Makes for a very entertaining, satisfying read. Get the adrenaline flowing with worry and fear, then triumph over adversity together, just in…
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This is the second of my structural analyses of the thriller genre. In my previous post I looked at the start or hooks for the thriller.
This post deals with the endings.
I’ve been playing around with the structure of my own suspense thriller novel, considering the typical hooks or starting chapters and typical climaxes also (coming up in the second post later this week).
For Hooks, here is my list so far. Like any list, any good author will try to bend or break – or add a new trope to the list, so it’s reasonably generic, and comes from my own reading in the genres. Please add any comments or suggestions, if you’re a thriller reader.
Last week I attempted to define some elements expected of the typical reader in a psychological thriller. Although the attempt was a good one, it left me with some problems localising the differences between what a mystery, crime fiction and thriller is.
Those thoughts were put into a large post on Mystery, Thriller and Crime fiction. In that post I realised that like a lot of writers, and a lot of experts in writing, the cross-flow between these genres provides a difficulty in localising one genre we might like our books to be catergorised into, if forced to do this on bookshelves or websites.
What came out of this, however, was a rewrite of the initial post on elements that the reader may expect. I’ve now provided a more catergorised list of elements below. This post will be kept updated with any new ideas in the future.
When I came to reorganise my thoughts on my previous Elements of a Psychological Thriller post, I hit the whole debate over the differences between the mystery genre and that of crime fiction / suspense and thrillers.
I believe that my own stories cross many of these genres (and sub-genres) but it’s important to get that understanding to allow the correct placement of my books in virtual (or real) bookstores, and to find the right readers.
This post has been updated and catergorised in the post Elements of the Psychological Thriller, Mystery, Suspense and/or Crime Fiction Genres.
The following list has been put together in respect to the new writers I am doing a thriller writing course with via the Sydney Writer’s Centre. Many of the participants are new to the genre, and equally new to writing fiction.
I also use many more resources, but these are a very good basic pack of books, websites, blogs and information for starting off writing the thriller, doing the research necessary and structuring the mystery, suspense, thriller or crime fiction novel.
Links from this post (not the books) can all be found shared on the Thriller Writers Resources bundle on my account at bitly.
Last night I went to the second session of my thriller writing course. We covered characters and a tiny bit on structure, but I had a hard time focussing or getting anything out of the two hours. I didn’t learn anything I didn’t already know, but don’t put my apathy down to this.